BLAZIN' A TRAIL: STARBLAZER COVER GALLERY - PART TWO...

Images copyright D.C THOMSON & Co, Ltd

As promised some time back, here are the covers from
STARBLAZER #s 6 - 10.  I don't think I ever bought
any further issues after #10, so that's yer lot I'm afraid.



AD BREAK: THE MAN WITHOUT FEAR - PART THREE...

And just for completion's sake, here's the in-house ads that appeared
after pages 5 and 18. Now you've got even more than you need.

The MAN WITHOUT FEAR - PART TWO...

Copyright MARVEL COMICS

As promised, the second part of DAREDEVIL's origin, scanned directly from my own copy of issue #1 from 1964.  For the cover and the first 11 pages, see the previous post.

The MAN WITHOUT FEAR - PART ONE...

Copyright MARVEL COMICS

Oh, you lucky people.  Scanned from my own personal copy of DAREDEVIL #1 is the first part of the origin of ol' Hornhead himself.  Drawn by BILL EVERETT with an alleged assistance from STEVE DITKO, the figure on the cover and splash page is clearly by JACK KIRBY, which makes me wonder if JK designed the hero's costume.  If anyone has any information or thoughts on the matter, feel free to comment.

This origin tale is available in the new MARVEL FIRSTS: The 1960s volume, and also the softcover edition of MARVEL MASTERWORKS: DAREDEVIL Vol. 1.  No true believer should be without each handsome tome so if you don't have them already, put them at the top of your Christmas list right away.

Look out for Part Two - NEXT!

A MONSTER TO MARVEL AT - PART THREE...

Images copyright MARVEL COMICS

Above and below, another four covers in the 18 issue series of MARVEL's fear-filled fantasy-fest known as The FRANKENSTEIN MONSTER - every one of them scanned from my very own personal collection.  Feast your eyes on these collectors' item classic from yesteryear and don't forget to scour my blog for the previous covers in parts one and two.  4th and final part still to come - soon.

To see Part 4, click here - to see Part 2, click here.

STAN, JACK, Or STEVE - Or Was It ALL THREE?

I sometimes feel sorry for STAN LEE.  Not that he needs my sympathy by any means, but it must be hard to constantly be on the receiving end of concerted attempts to diminish or deny even the slightest bit of creative input from him on anything he ever worked on with JACK KIRBY or STEVE DITKO - or anyone else for that matter.

There are some diehard Kirby and Ditko fans who maintain that their artistic heroes were responsible for everything good that ever came out of MARVEL in the 1960s, and that all Stan did was edit the pages and dialogue them.  Notwithstanding all the redrawn Kirby pages which seem to suggest that Stan's involvement was far more than that.

However, just for the sake of argument, let's imagine for a moment that both Kirby and Ditko created all the characters they worked on and were responsible for all the plotlines, leaving Stan's contribution as no more than scripting the tales from Jack and Steve's margin notes.  Got that notion fixed in your head?  Good.  Now consider this.  Nothing that either Jack or Steve worked on after Marvel ever had the same kind of impact as the body of work they produced while collaborating with Stan.  That would suggest that Stan's involvement, even if only 'mere' scripting, was the 'secret ingredient' that had a disproportionate effect on the finished result.

Stan Lee, in effect, was therefore the vital factor that transformed many competent but ordinary comicbooks into the dynamic Marvel masterworks that so many people fondly remember today. Had Jack and Steve scripted their own strips, it's extremely doubtful, going by their few later limited achievements, that Marvel would have become as successful as it was in its glory years.

Who came up with the idea of THOR?  Jack said Jack, Stan said Stan, and LARRY LIEBER (Stan's brother) said Stan (with input from himself - the names DON BLAKE and URU, for example).  But does it matter who came up with the initial concept?  Surely it's what's done with it that matters?  How it was 'dressed up' and first presented to the public in JOURNEY Into MYSTERY #83.  The finished result was a product of Stan, Jack & Larry, so in that sense all three can legitimately claim to be co-creators of the character.  (Larry hasn't ever made such a claim as far as I know, but I noticed he was credited alongside Stan and Jack on the recent Thor movie.)

Take DOCTOR STRANGE.  Critics of Stan seize on his frank comment that the then-upcoming mystic master's first appearance was "Steve's idea" as proof that Ditko created the character and not Lee.  However, even ignoring Lee's obvious input to the 'DR. DROOM'-type origin a few issues later, it's clear that Strange is nothing more than a reworked Droom figure (by Stan and Jack - and actually inked by Steve), so SD can hardly be said to have come up with anything new, merely regurgitating Stan's original concept.  Certainly, regardless of who first came up with the idea, Doctor Strange - as he is perceived by the comics buying public today - is as much a creation of Stan as he is of Steve.

That's why it's simply much easier (and no less accurate) to say 'by Lee & Kirby', or 'by Lee & Ditko', because the nuts and bolts of exactly who did what is probably much more complicated and may never be known.  One thing's for sure - all three creative titans were never better than when working with their respective collaborators, their body of work providing a perfect example of something being greater than the sum of its parts.

'Nuff said.

Image copyright MARVEL COMICS

IF YOU ONLY BUY ONE BOOK THIS YEAR, MAKE IT THIS ONE...

Image copyright MARVEL COMICS

This is the book that ORIGINS OF MARVEL COMICS should've been.  Are you ready for this?  The first appearances or/and first issues of The RAWHIDE KID, DOCTOR DROOM, The FANTASTIC FOUR, ANT-MAN, The INCREDIBLE HULK, SPIDER-MAN, THOR, HUMAN TORCH, TWO-GUN KID, IRON MAN, SGT. FURY & His HOWLING COMMANDOS, DOCTOR STRANGE, The AVENGERS, The X-MEN, DAREDEVIL, NICK FURY AGENT Of S.H.I.E.L.D., GHOST RIDER, CAPTAIN MARVEL, CAPTAIN SAVAGE & His LEATHERNECK RAIDERS, SILVER SURFER, and more, more, MORE!!! 

This terrifically titanic tome also contains the dynamic debuts of The WASP, The WATCHER, CAPTAIN AMERICA, and SUB-MARINER in their own sensational series; KA-ZAR, and DOCTOR DOOM in their initial solo stories, plus covers galore, and even more, more, MORE!!!

All in full colour, this is the one book that no dyed-in-the-wool Marvel fan can afford to be without.  This softcover, 488 page masterpiece contains, in the main, the finest and most accurate printings of these tales since they were first released back in the '60s.  Definitely no shoddy 'restoration' work that some first printings of the MASTERWORKS series suffered from.  An absolute bargain, and the book to have this Christmas.  But don't wait - buy it today.

ISBN #978-0-7851-5864-6

SUPERMAN BREAKS LOOSE...

Built and painted by Kid Robson

For no other reason than I'm extremely proud of it, I'd thought I'd share another photo of my AURORA SUPERMAN kit from 1974.  I assembled and painted it myself, hand-painting the 'S' emblems on the costume and cape, rather than using the adhesive labels supplied.  This second release of the famous hobby kit was issued without the nameplate of the original '64 version (as were all subsequent releases), but I added a spare one as I think the model looks better with it.

This kit has been released five times over the years, and I have them all, plus an unbuilt and boxed spare of the original version.  Here are the dates and companies involved:

1964 by Aurora. * 1974 by Aurora. * 1978 by Monogram. * 1984 by MPC. * 1999 by Revell.

As I said, only the 1964 kit included a nameplate (and had moulded 'S' emblems), and the '84 and '99 kits had a different head.

Perhaps MOEBIUS Models will re-release the original kit sometime soon.

DALEKS LOVE BOOTS...

Ever noticed something in a photo that you weren't aware of at the time it was taken?  Have a look at this picture snapped back in 1996 at my local BOOTS The CHEMISTS.  There I am, in all my rugged, manly handsomeness, next to a display for the new video (remember them?) release of the Dr. WHO television movie starring thespian PAUL McGANN.  But wait... isn't that a DALEK's head in the background, protruding upside down from the ceiling?  Like I said somewhere before, those Daleks get everywhere.

  

WHAT A SHOCKING FUTURE...

Over on another blog, the host mentions a comics shop which used to trade under the name of PHOTON BOOKS in Glasgow's Woodlands Road back in the early 1980s.  It later changed its name to FUTURESHOCK and is still trading today, but here's an interesting little bit of background info.

Originally, the shop was run by NEIL CRAIG and BOB SHAW (Neil now runs it by himself), until they had a falling out over matters which I'm not privy to.  Later, Bob opened a shop just along the road from Neil, which, because it sold books (and comics) and developed photographs (that side of the business was run by a fellow called ALAN MITCHELL, I think), went by the name of BOOKS 'N' PHOTOS.

Well, actually, the official names of the two businesses trading from the same premises were SECOND FOUNDATION and SPECIALIST PRINTS, but these titles took second place to the prominence given to what was essentially a bald description of what the shop actually sold - namely, 'books 'n' photos'.  This was purely to wind-up Neil, by using a name as close to Photon Books as possible.

Because I'd once been a signwriter, I was asked to do the sign for above the shop, painted on two plywood boards in the comfort of my own home.  I was really quite proud of it because, although it was hand-painted, it looked for all the world as if it were perspex.  Unfortunately, I only owned a HANIMEX 110mm camera at the time, so the accompanying photos aren't too sharp.  The photo was taken by myself the day the sign was placed above the shop, sometime back in '83 or '84.  Look - you can see Alan, Bob and me in the reflection on the shop window next door.  The other two were taken outside my house before the sign was transported into Glasgow.

I'm not sure it's clear in the photos, but the large white lettering had a thin red outline around it.  Sure takes a steady hand for that sort of detail, I can tell you.

******

UPDATE: Sad to hear that Neil died in July 2014.  His shop in Woodlands Road is still there, but not currently trading as far as I know.  Perhaps his widow has plans for it - time will surely tell.

The SIGNIFICANT SEVEN...

I have an interesting (if annoying) capacity to see significance in the most trivial of things.  For example, on my seventh birthday, we moved into a house numbered seventy-seven, in which I had seven birthdays and seven Christmases.  When I started my new school across the road, the first classroom I was in was room seven, and when we moved from that house years later, it was on the seventh month of the seventh year on the fourteenth (two sevens, same as the house number) day.

Something else that has a surreal significance to me is that, many years later, I bought the actual number plate of my old house from the then-current tenant, which has been on the door of my study for what is now well into the twenty-first (three sevens) year.  But that's not so much what impresses me.  What does is the fact that I've now passed that aged number plate many more times since it's been on my study door than I ever did when it adorned the house I once lived in so long ago.

I don't know why, but - to me - that just seems strangely significant.

ADS YOU THOUGHT YOU'D NEVER SEE...

I cut this from a magazine a few years back.
Those Daleks, eh? They get everywhere.