Thursday, 1 September 2011

(HERE'S JOHNNY'S!) CALLING 'ANONYMOUS' FROM STEVE DOES COMICS... COME IN 'ANONYMOUS' FROM STEVE DOES COMICS... DO YOU READ ME? OVER...


If you're not the 'ANONYMOUS' who regularly drops in to the STEVE DOES COMICS blog, you may well be a little confused by this posting.  "Just what the heck is it about?" you may be wondering.

Well, first of all, you shouldn't be reading someone else's mail... but, as you're here, I'll explain.

You see, dear (if nosy) reader, once upon a time, in a mystical, faraway land called 'The Past', there existed a magical place of wonder called JOHNNY'S.  Nothing to do with anything you got in the bartber's 'for the weekend', I assure you, but rather a shop in Gallowflat Street in Rutherglen, Scotland.


My grandparents (who I irreverently referred to as 'Grunt' and 'Grumpy' - shame on me) lived in Rutherglen in the early 1960s, and it was our well-established custom to visit them every Sunday.  We had to pass through Gallowflat Street en route to their house in Hamilton Road, and we invariably stopped outside Johnny's on the way.



Johnny's was a newsagents, confectioners, tobacconists - and, as well as other sundry items that such shops always stock, also sold toys.  Oh, what treasures teased, tempted and tortured both my brother and myself from within that toy and trinket-bedecked window display.  It was there (around 1963 or '64) that I first saw an AURORA PHANTOM Of The OPERA model kit, built and painted in all its blood-curdling glory.


I well remember being fascinated by the desperate prisoner staring out pleadingly from behind the bars of a basement window on the model's base.  Deep lacerations in his arms had exposed the bones, and blazing red blood weeped from the wounds. What four year old boy wouldn't be captivated by such a gory and macabre sight?


A few years later (if memory serves - and why shouldn't it?  I pay it enough), Johnny's had moved to bigger premises a few doors along (The Hospice Shop, I think - in the 2nd photograph from the top), and it was there I obtained my second QUERCETTI FIREBALL XL5 parachute toy in 1968 or '69 (or even '70) for a mere 2/6d.  A bargain if ever there was one, because the one I got for Christmas back in 1962 or '63 cost 10/6d.  (Now it would cost far more.)


Ah, dear old Johnny's... now sadly long gone.  It must have been around the mid or late '70s it closed its doors for the final time, but I don't know for certain.  In 1964 or '65, my grandparents moved to the town in which we lived to be closer to us, and that late '60s visit to the shop was the last I can remember.  (Might've paid it a visit around 1971, but can't be sure.)


The featured photos were taken a good few years ago, when the original Johnny's premises were a flower shop (and may still be). The reason I took them was because 'Johnny's' name was still clearly visible under the painted green board above the new sign.  At least, in real life it was clear, it's a bit harder (but not impossible) to see it in the close-up photographs.


So, if you're around my age and are familiar with Rutherglen, you may well remember this legendary landmark.  Click on the pics to enlarge, click again for optimum size.  You should just be able to discern a hint of the name of that long-gone, much missed shop from childhood, when, I wager, each of us used to think we had forever.

Here's to Johnny's... and to us.

ANOTHER MARVEL 'MYSTERY' SOLVED!


Images copyright MARVEL COMICS

Well, to be honest, it's not really that much of a mystery - except to the team responsible for the reprint editions of the TALES Of SUSPENSE/IRON MAN adventures from the early years of MARVEL.

If you're the proud possessor of the softcover printing of MARVEL MASTERWORKS, the first OMNIBUS volume, or even the ESSENTIALS edition of ol' Shell-Head's early adventures, you'll have seen the b&w production stat of TOS #42, misnumbered as #41 and toting the previous issue's cover blurb.


The books ponder how this 'boob' occurred and consider possible explanations - including what I regard as the most obvious one, making me wonder why anyone ever thought it was such a mystery.  Let me elaborate.

Back when I freelanced for IPC/FLEETWAY, I regularly visited the offices of KING'S REACH TOWER and often saw pages of artwork with missing logos - sometimes removed cleanly, or simply cut from (or ripped off) the page.  The logos were photo-mechanical-transfers (referred to as PMTs - oh, behave missus) and were sharp, high-quality images which reproduced well in the printed comics.


Occasionally, however, there might be none available when required, with no time to wait while new ones were printed.  So, as I said, a logo from an old page of artwork was re-used on a new page - problem solved.

What obviously happened in Marvel's case with this ish was something not too dissimilar.  They were fresh out of logos so stuck a copy from a b&w stat of the previous issue onto the cover art for the next issue.  Duplicate stats of the cover would then be made - one for the files and one to be sent for lettering.  (Once that was done, a copy of the finished page would then be made for colouring.)  As Marvel has quite a number of cover file stats which differ from the printed versions, I'm surprised as to why anyone was puzzled by the matter.

Too easy - Columbo, eat your heart out!