CRIVENS! COMICS & STUFF!

A cascading cornucopia of cool comics, crazy cartoons & classic collectables - plus other completely captivating & occasionally controversial content! With nostalgic notions, sentimental sighings, wistful wonderings, rueful reflections, remorseful ruminations, melancholy musings, poignant ponderings & yearnings for yesteryear! (To say nothing of a few profound perplexities & puzzling paradoxes thrown in for good measure.) Plus a bevy of beautiful, bedazzling, buxom Babes!

Tuesday 22 August 2023

GIVING A SHINE TO SPIDER-MAN Comics Weekly...

Spider-Man Comics Weekly #48 - the first issue to have a glossy cover after 47 newsprint covers since its first appearance in 1973. Unfortunately, the reproduction inside the mag was pretty terrible, with murky, obscured, black, white, and grey artwork which was sore on the eyes and must've annoyed any of the artists who saw what was being done to the fruits of their labour, reprints or not. Marvel eventually sorted out the problem, which was caused by poor printing rather than the Zipatone (Letratone was the UK equivalent) applied to b&w stats of the pages in the States, but it's surprising that readers put up with it for so long.

Anyway, having showed you the first glossy covered ish of MWOM yesterday, I thought you might appreciate seeing its stablemate, SMCW, today. Enjoy.

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About the artist:

From 1985 to 2000 A.D. (little joke there), I contributed to a variety of high profile comics and magazines for various companies.

For IPC/FLEETWAY/EGMONT, I freelanced as a lettering and logo artist on various weekly comics and monthly magazines, and also as a resize comic artist and spot illustrator on pocket books, summer specials and annuals.

For MARVEL U.K., BLACK LIBRARY, REDAN and USBORNE BOOKS, I again freelanced as a lettering artist, also working as a restoration artist for MARVEL U.S., restoring and re-creating certain pages of JACK KIRBY art for their MARVEL MASTERWORKS editions.

I also lettered the MARVELMAN sample pages submitted to MARVEL U.S. when they were considering acquiring the character, which - as we all now know - they DID.

Supplied comic strips, cartoons and illustrated advertisements for local business campaigns and newspaper publication on a professional basis since the age of 16. Did my first paid art job for publication at 14 or 15 for Lanarkshire Education Board.

Have also made TV appearances as a collector of memorabilia.

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Just some of the titles I worked on are:

2000 A.D. * JUDGE DREDD MEGAZINE * DICEMAN * SONIC The COMIC * JUDGE DREDD, LAWMAN Of The FUTURE * CRISIS * REVOLVER * EAGLE * TIGER * BATTLE ACTION-FORCE * BUSTER * WHIZZER & CHIPS * WHOOPEE * NIPPER * SCHOOL FUN * ACE VENTURA, PET DETECTIVE * The REAL GHOSTBUSTERS * DOCTOR WHO MAGAZINE * COUNT DUCKULA * RUGRATS * The TRANSFORMERS * DEATH'S HEAD * THUNDERCATS * GALAXY RANGERS * DRAGON'S CLAWS * SINDY * MARVEL MASTERWORKS * The TROLLS * LOADED * INFERNO * WARHAMMER * ROSE BLACK.

Copyright Notice:

Images remain the property of their respective copyright owners and are used here only for the purpose of review, promotion, and nostalgia.

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In the case of images culled from my own collection where copyright of an item isn't mine, I impose no copying restrictions on fellow bloggers.

(Although, if you don't allow copying on your own site, then you really shouldn't be copying from others, should you?)

And while you can credit this blog if you like, it's not mandatory. Who has time to make notes of every casually visited site during an idle browse of the internet?

In the case of anyone copying images of my own artwork and calligraphy, I affirm my right to be identified as the creator, and any such copying should not be for the purpose of monetary or material gain. (Unless it's mine.)

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Please also note that this blog is not sponsored by, affiliated with, or connected to, any organisation, business, or group, and is wholly independent.