CRIVENS! COMICS & STUFF!: PART TWO OF KRAZY COMIC #1...

Friday, 22 February 2013

PART TWO OF KRAZY COMIC #1...

For all you KRAZY fans out there, here's the remainder of IPC's file copy of issue #1, the first part which I posted recently. For some curious reason, the second half of the comic, unlike the first, did not feature the hand-written notes detailing exactly what each page cost for script, art and lettering.

Still, I thought you'd like to see the complete issue, so enjoy the remaining pages, starting with the classic DICK MILLINGTON strip above. Brilliant stuff indeed.

Click here for Part One.

4 comments:

baab said...: I reckon i owned this comic.
Unless i saw the six million dollar/bionic woman joke somewhere else,and the exercise book back cover disguise,which I am positive I actually used,even though the teachers probably did not notice...

Then ..something or other...I forget.
Its that ol age thing creeping up on me Kid.
I enjoyed this post for nostalgic reasons which I cannot fathom....yet.

I also thought I must have missed your previous post and just now went to it and I had read it...it just had not sunk in. I recognise it all,now ....but did not before ....funny that!; 23 February 2013 at 00:31
Kid said...: Unfortunately I'd left school by the time Krazy came out, so I never had the chance to test that back cover under 'combat' conditions.; 23 February 2013 at 01:44
Mr Straightman said...: That back cover is pure Monty Python!; 28 February 2013 at 15:27
Kid said...: You mean it's a dead parrot or half a bee?; 28 February 2013 at 15:59

About the artist:

From 1985 to 2000 A.D. (little joke there), I contributed to a variety of high profile comics and magazines for various companies.

For IPC/FLEETWAY/EGMONT, I freelanced as a lettering and logo artist on various weekly comics and monthly magazines, and also as a resize comic artist and spot illustrator on pocket books, summer specials and annuals.

For MARVEL U.K., BLACK LIBRARY, REDAN and USBORNE BOOKS, I again freelanced as a lettering artist, also working as a restoration artist for MARVEL U.S., restoring and re-creating certain pages of JACK KIRBY art for their MARVEL MASTERWORKS editions.

I also lettered the MARVELMAN sample pages submitted to MARVEL U.S. when they were considering acquiring the character, which - as we all now know - they DID.

Supplied comic strips, cartoons and illustrated advertisements for local business campaigns and newspaper publication on a professional basis since the age of 16. Did my first paid art job for publication at 14 or 15 for Lanarkshire Education Board.

Have also made TV appearances as a collector of memorabilia.

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Just some of the titles I worked on are:

2000 A.D. * JUDGE DREDD MEGAZINE * DICEMAN * SONIC The COMIC * JUDGE DREDD, LAWMAN Of The FUTURE * CRISIS * REVOLVER * EAGLE * TIGER * BATTLE ACTION-FORCE * BUSTER * WHIZZER & CHIPS * WHOOPEE * NIPPER * SCHOOL FUN * ACE VENTURA, PET DETECTIVE * The REAL GHOSTBUSTERS * DOCTOR WHO MAGAZINE * COUNT DUCKULA * RUGRATS * The TRANSFORMERS * DEATH'S HEAD * THUNDERCATS * GALAXY RANGERS * DRAGON'S CLAWS * SINDY * MARVEL MASTERWORKS * The TROLLS * LOADED * INFERNO * WARHAMMER * ROSE BLACK.

Copyright Notice:

Images remain the property of their respective copyright owners and are used here only for the purpose of review, promotion, and nostalgia.

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In the case of images culled from my own collection where copyright of an item isn't mine, I impose no copying restrictions on fellow bloggers.

(Although, if you don't allow copying on your own site, then you really shouldn't be copying from others, should you?)

And while you can credit this blog if you like, it's not mandatory. Who has time to make notes of every casually visited site during an idle browse of the Internet?

In the case of anyone copying images of my own artwork and calligraphy, I affirm my right to be identified as the creator, and any such copying should not be for the purpose of monetary or material gain. (Unless it's mine.)

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Please also note that this blog is not sponsored by, affiliated with, or connected to, any organisation, business, or group, and is wholly independent.