CRIVENS! COMICS & STUFF!: JOURNEY INTO SWIPERY...

Friday, 25 January 2013

JOURNEY INTO SWIPERY...

Art by Jack Kirby. JIM #83, page 8, panel 1

All artists have (or should have) a reference file. This usually consists of a collection of photos and illustrations of just about every scene imaginable. It can contain previous drawings by the artist and also even the artwork of others - which is why it's also called a 'swipe' file, because it provides the working illustrator with material from which he can copy if his imagination (or knowledge of the subject) is a little lacking.

It may surprise you to learn that not every artist can sit at their drawing boards and draw just about anything off the top of their head or at the drop of a hat. Even those who seemingly do so are often drawing (pun intended) upon their experience of an earlier drawing, the subject of which they first had to meticulously research before committing to memory.

Even artists such as WALLY WOOD and JACK KIRBY occasionally swiped from illustrators who had preceded them, like HOGARTH and FOSTER. Joltin' JOE SINNOTT, inker of many of MARVEL's top pencillers - and an illustrator of no mean accomplishment in his own right - occasionally swiped when he was performing sole drawing chores on The MIGHTY THOR back in the 1960s.

Joe drew five Thor strips for JOURNEY Into MYSTERY (#s 91, 92, 94-96) and not only swiped from Jack Kirby, but even from himself. I thought it might be interesting to look at a few panels 'inspired' by ones in previous stories. Some are direct copies, others have been tweaked (and flipped), but their sources are still all-too apparent.

The following examples result from a casual browse through the stories themselves and are by no means exhaustive (in fact, I've since seen one or two others), so look through the issues yourself (if you have 'em) and see which ones you can spot.

Art by Joe Sinnott. JIM #91, page 12, panel 7

Art by Joe Sinnott. JIM #94, page 12, panel 5

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Art by Jack Kirby. JIM #83, page 10, panel 7

Art by Joe Sinnott. JIM #92, page 10, panel 6

Art by Joe Sinnott. JIM #95, page 4, panel 7

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Art by Jack Kirby. JIM #85, page 6, panel 3

Art by Joe Sinnott. JIM #94, page 10, panel 2

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Art by Jack Kirby (?)/Steve Ditko. JIM #88,
page13, panel 5

Art by Joe Sinnott. JIM #91, page 1, panel 4

Art by Joe Sinnott. JIM #94, page 5, panel 7

Art by Joe Sinnott. JIM #95, page 2, panel 7

Art by Joe Sinnott. JIM #96, page 2, panel 1

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Art by Joe Sinnott. JIM #91, page 11, panel 7

Art by Joe Sinnott. JIM #95, page1, panel 6

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Art by Joe Sinnott. JIM #91, page 13, panel 3

Art by Joe Sinnott. JIM #92, page 11, panel 2

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Art by Jack Kirby. JIM #93, page 3, panel 7.
(This panel looks like a patch)

Art by Joe Sinnott. JIM #96, page 8, panel 3

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Art by Jack Kirby. JIM #86, page 12, panel 5

Art by Jack Kirby. JIM #91, page 9, panel 7

Art by Joe Sinnott. JIM #95, page 10, panel 7

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Art by Jack Kirby. JIM #86, page 11, panel 6

Art by Joe Sinnott. JIM #95 page 2, panel 3

Art by Joe Sinnott. JIM #95, page 13, panel 7

Art by Joe Sinnott. JIM #96, page 2, panel 3

2 comments:

DeadSpiderEye said...: After examining these depictions of Thor it struck me that a few of them look as though they might be derived from baseball poses. I wonder, do you think it's possible that there was a Thor reference library with a bunch of baseball shots in it?; 26 January 2013 at 14:03
Kid said...: It's possible that Jack Kirby (who first drew the pics that Joe Sinnott copied from) used photos of baseball players as reference. I think Joe just copied from Jack, so it's unlikely in his case.

Interestingly, when Kirby first drew the Silver Surfer, I think he probably used photos of surfers to get the poses right. However, afterwards he just drew from memory. I think that's why Kirby's Surfer eventually became very stiff-looking, which is probably why Stan Lee gave the regular series to Buscema.; 26 January 2013 at 14:26

About the artist:

From 1985 to 2000 A.D. (little joke there), I contributed to a variety of high profile comics and magazines for various companies.

For IPC/FLEETWAY/EGMONT, I freelanced as a lettering and logo artist on various weekly comics and monthly magazines, and also as a resize comic artist and spot illustrator on pocket books, summer specials and annuals.

For MARVEL U.K., BLACK LIBRARY, REDAN and USBORNE BOOKS, I again freelanced as a lettering artist, also working as a restoration artist for MARVEL U.S., restoring and re-creating certain pages of JACK KIRBY art for their MARVEL MASTERWORKS editions.

I also lettered the MARVELMAN sample pages submitted to MARVEL U.S. when they were considering acquiring the character, which - as we all now know - they DID.

Supplied comic strips, cartoons and illustrated advertisements for local business campaigns and newspaper publication on a professional basis since the age of 16. Did my first paid art job for publication at 14 or 15 for Lanarkshire Education Board.

Have also made TV appearances as a collector of memorabilia.

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Just some of the titles I worked on are:

2000 A.D. * JUDGE DREDD MEGAZINE * DICEMAN * SONIC The COMIC * JUDGE DREDD, LAWMAN Of The FUTURE * CRISIS * REVOLVER * EAGLE * TIGER * BATTLE ACTION-FORCE * BUSTER * WHIZZER & CHIPS * WHOOPEE * NIPPER * SCHOOL FUN * ACE VENTURA, PET DETECTIVE * The REAL GHOSTBUSTERS * DOCTOR WHO MAGAZINE * COUNT DUCKULA * RUGRATS * The TRANSFORMERS * DEATH'S HEAD * THUNDERCATS * GALAXY RANGERS * DRAGON'S CLAWS * SINDY * MARVEL MASTERWORKS * The TROLLS * LOADED * INFERNO * WARHAMMER * ROSE BLACK.

Copyright Notice:

Images remain the property of their respective copyright owners and are used here only for the purpose of review, promotion, and nostalgia.

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In the case of images culled from my own collection where copyright of an item isn't mine, I impose no copying restrictions on fellow bloggers.

(Although, if you don't allow copying on your own site, then you really shouldn't be copying from others, should you?)

And while you can credit this blog if you like, it's not mandatory. Who has time to make notes of every casually visited site during an idle browse of the internet?

In the case of anyone copying images of my own artwork and calligraphy, I affirm my right to be identified as the creator, and any such copying should not be for the purpose of monetary or material gain. (Unless it's mine.)

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Please also note that this blog is not sponsored by, affiliated with, or connected to, any organisation, business, or group, and is wholly independent.