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Copyright MARVEL COMICS |
A cascading cornucopia of cool comics, crazy cartoons, & classic collectables - plus other completely captivating & occasionally controversial contents. With nostalgic notions, sentimental sighings, wistful wonderings, remorseful ruminations, melancholy musings, rueful reflections, poignant ponderings, & yearnings for yesteryear. (And a few profound perplexities, puzzling paradoxes, & a bevy of big, beautiful, bedazzling, buxom Babes to round it all off.)
Sunday, 13 April 2025
Saturday, 12 April 2025
SUPERMAN #233 FACSIMILE EDITION...
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Copyright DC COMICS |
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Copyright relevant owner |
Monday, 7 April 2025
BABE Of The DAY - BUNTY WINDERMERE...
Sunday, 6 April 2025
FRANK THORNE'S ONLY MARVEL UK WORK?
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Copyright relevant owner |
I'm now too old to reliably recall whether I ever had Planet Of The Apes & Dracula Lives #100 back in the day or not, but having recently seen the cover of it over on McScotty's blog That Was Then (should actually be called Now And Then 'cos he doesn't post very often, the lazy loafer), I decided I must have the issue for myself so promptly bought one via eBay. Why? Well, as far as is known (by me anyway), it's the only cover Frank Thorne ever drew for a UK Marvel mag, perhaps even any UK mag in fact, and that makes it worth having in my collection.
Frank was an excellent artist and he drew the female figure in such a way as to induce feelings of lust and desire in young teenage boys who slobbered and drooled over babes like Red Sonja - She-Devil With A Sword. He could draw bosoms as if they were ripe pears just waiting to be plucked (I said plucked, Melvin) and it's difficult for me to tear my eyes away from the lovely lass on the cover of POTA's Centennial issue, despite all the action going on. Anyway, thought I'd show it here to save you having to jump over to McS's blog to view it. I'm thoughtful that way.
Saturday, 5 April 2025
LOOK And LEARN's FINAL BOW...
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Copyright relevant owner |
It was 43 years ago that something came to an end, though I didn't know about it at the time and didn't learn of the sad event until many years (perhaps even decades) after the fact. Look And Learn first hit newsagents' shelves in January 1962 and finally breathed its last in April 1982, not even granted the courtesy of being merged with another weekly magazine as was usually the case with IPC Magazines.
I've been looking to acquire the last issue for a good while now and it finally landed on my hall carpet this afternoon. The periodical lasted for three months past 20 years, though seemed to have been around for much longer as 20 years doesn't seem a very long time in retrospect from this old man's perspective. (I suppose if I were still only in my early 20s, the same span would seem like practically forever.)
Anyway, thought I'd show you the cover of the final issue (and the 'special message' from the editor), as well as the cover of the one that started it all, which I acquired a fair number of years ago. Not long after buying a facsimile of the debut issue, an original came into my possession, so it's nice to have both. Were any of you ever Look And Learn readers, Crivs? Then feel free to share your memories with your fellow members.
THROUGH THE... BEDROOM WINDOW...
Friday, 4 April 2025
FOR FACS' SAKE - FACSIMILE RIP-OFF ON EBAY...
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Copyright D.C. THOMSON & Co., Ltd |
Thursday, 3 April 2025
WHEN IS A FACSIMILE NOT QUITE A FACSIMILE?
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Copyright DC COMICS |
However (as is often the case), there's a catch. When the original reprint editions were produced, amendments were often made to their larger-than-life presentations in what was then a new format. Splash pages were usually extended, height-wise, to compensate for missing indicias present in the initial standard-sized printings of the tales. Credits were sometimes added and captions and footnotes altered to bring them up-to-date, or for some other editorial reason entirely. So having clued you in, I'll shortly demonstrate exactly what I'm talking about, using the relatively recent facsimile of LCE CR-48 (Superman Vs The Flash) to provide examples.
But why's it so? Well, the original (altered) proofs for CR-48 probably no longer exist, so when the decision was made to reprint it, DC went with whatever sources were available of the two tales from later (restored) presentations, like hardback collected editions for example, which sought to preserve the archival aspects of the strips' first printings. That's why the facsimile has corner page numbers and different colours, while the '70s incarnation had the numbers removed, new colouring, added credits (on the first strip), an amended end-caption, and an extended splash page. With the facsimile, they used whatever more archival proofs for reprints that were to hand.
So these new facsimiles aren't always exact - they're as close as they can be without going overboard in the 're-creation' stakes. I daresay most readers wouldn't even notice the difference unless they have an original to compare to, but if they don't, then it hardly matters much, does it? Unless you're as pernickety as me, that is. What do you think, Crivs? Would you rather have exact facsimiles (prices and indicias aside), or as long as they use the same covers and contain the same strips and features, do the occasional slight departures from the originals not bother you? Comments extremely welcome, so start exercising your typing fingers now and have your say!