Believe it or not, Crivs, one of Britain's once-favourite weekly periodicals - TV COMIC - was first published by The NEWS Of The WORLD, at a time when that now defunct organ was presumably regarded in a more favourable and respected light than at the relatively recent end of its 168 year reign.
TV Comic couldn't match that span, unfortunately, but it did manage an extremely impressive nigh-34 year run, in its time featuring a variety of strips based on popular children's television programmes and, initially, also radio. Not all of its content originated on TV of course, the popular MIGHTY MOTH, TV TERRORS, and TEXAS TED being but three examples of original material created for the comic paper.
A 1964 issue. In the above Popeye strip, Bluto, also known as Brutus in the animated cartoons, is mistakenly called 'Bruto'. Below, Fireball XL5 from the same issue |
The first issue, dated November 9th, appeared in 1951, priced fourpence (old money of course) and consisted of only eight pages. Along with cover star MUFFIN The MULE, other strips included Mr. PASTRY, LARRY The LAMB, TUSKER & TIKKI, plus other characters who would mean nothing to children of today.
The 1st issue of the 1976 new format relaunch (#1292)... |
...plus free gift. Jon Pertwee strip with redrawn Tom Baker heads. And TV 21 Daleks strip |
At some stage, BEAVERBROOK PRESS took over ownership of the title, before POLYSTYLE PUBLICATIONS, the company most associated with it, acquired the comic and continued to publish it until falling circulation ended its not-insignificant run in 1984. (Number 1697, issue dated June 29th.) Sadly, by then the comic was but a pale shadow of its former self, containing mainly reprints - a policy TV Comic had often indulged in throughout its history, but never more so than in the last few years of its life.
2nd issue of the new format... |
...plus free gift. Abridged Gold Key reprint |
The comic is probably best remembered from the '60s, when it featured DOCTOR WHO, SPACE PATROL, SUPERCAR and FIREBALL XL5, the latter two being based on GERRY ANDERSON's hugely popular puppet programmes. (After ending their run in TV Comic towards the end of 1964, new adventures of these two strips then appeared in TV CENTURY 21, which debuted at the beginning of 1965.) This period was undoubtedly TV Comic's heyday, and apart from a time in the early '70s, was never quite as good again.
1500th Anniversary edition |
Unfortunately, when the title eventually expired, I was unaware of its fate until many months after the fact and therefore missed buying the final issue. However, on one of my regular jaunts down to London in 1985, I spied a random selection of issues on a magazine rack in BOB PAYNTER's office. (Bob, for those of you who may not already know, was the Group Editor of the Humour Division of IPC's weekly comics, such as WHIZZER & CHIPS, BUSTER, WOW!, etc.) Editors often had a supply of other publishers' titles so that they could keep abreast of what their rivals were up to, hence the issues of TV Comic (amongst others) on his office rack.
Last ever Christmas issue |
As the title was now defunct, Bob must've considered it pointless keeping them, so he kindly gifted me with his own personal copy of the very last issue, which is the actual one pictured in this post. On the back cover is written: 'Bob Paynter - 2014'. (His office was on the 20th floor of KING'S REACH TOWER, and I'm guessing that his office number was 14.) If I recall correctly, he also had the Christmas issue from 1983 - which I already had - but I now seem to associate it more with his office than wherever it was I bought my own copy, which is unusual for me.
The very last issue in 1984 |
Here then is a look back at one of Britain's favourite comics, from its premiere edition to the last one ever published over 33 and a half years later, with a few random issues in between. Enjoy.
4 comments:
I quite liked TV Comic. Dick Millington did some superb work and the dialogue was several notches above the "It's a BEAR!" "Oh bums" exchanges that pass for wit in the D*ndy these days.
The Dandy's current sad situation and the refusal of certain 'second-string' individuals to recognize the reasons for it, is akin to someone pulling a tin of beans from the bottom row of a display and then wondering why it collapsed. And then denying responsibility when it's explained to him. Not got the brains they were born with, some of them.
Apparently I "just don't get it". And for someone who grew up with Calvin and Hobbes and the Tick, I don't see many signs of a certain Dandy artist wearing his influences on his sleeve. Ho hum. Too obvious perhaps?
I'm not quite sure what it is you "don't get", but if it concerns something "they" said, then they don't know their back end from a bump on the head.
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