Superman #233, featuring Ira Schnapp's logo. (Art by Neal Adams) |
Superman Ashcan edition. (Art by Joe Shuster) |
Superman #386, 1st appearance of Marshall Arisman's logo. (Art by Gil Kane) |
A cascading cornucopia of cool comics, crazy cartoons, & classic collectables - plus other completely captivating & occasionally controversial contents. With nostalgic notions, sentimental sighings, wistful wonderings, remorseful ruminations, melancholy musings, rueful reflections, poignant ponderings, & yearnings for yesteryear. (And a few profound perplexities, puzzling paradoxes, & a bevy of big, beautiful, bedazzling, buxom Babes to round it all off.)
Superman #233, featuring Ira Schnapp's logo. (Art by Neal Adams) |
Superman Ashcan edition. (Art by Joe Shuster) |
Superman #386, 1st appearance of Marshall Arisman's logo. (Art by Gil Kane) |
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Fascinating calligraphical (?) stuff. On the design front, it's interesting to see from the ashcan that it was going to follow the house style of Detective Comics, World's Finest et al, with the strong horizontal rules around the title and the company's standard
ReplyDeleteCOMICS logo below.
Great stuff! Some of us care about these details...
I think so too, Dez. The very first version of the logo (from ACTION COMICS #1) had a curved "U", but subsequent issues were never consistent. The logo was relettered for each individual story - most of the time the "U" was curved, occasionally it was edged, and sometimes it resembled typeset - with the curve blending into the righthand vertical stroke of the letter. (In fact, some of the curved versions look as if they've been altered from the latter version, but - given Shuster's "roughness" - one can't be dogmatic on the subject.)
ReplyDeleteInterestingly, even after Ira Schnapp's version appeared on the cover of issue #6, it wasn't used in the interiors with any consistency until issue #11 - and subsequent issues still contained an occasional hand-lettered one.