Guess what, fellow Crivvies? Your genial host (me) joined a little FACEBOOK group called the SNYDER/DITKO APPRECIATION SOCIETY a little while back. Among its many fine members are a small band who don't so much appreciate STEVE DITKO as outright worship him. What's more, that small clique are filled to the brim with hatred for STAN LEE, which is indulged and encouraged by the host, a fellow by the name of ROB IMES. I tried to provide a bit of balance on occasion, as I believe it's possible to appreciate Stan, Steve, and JACK KIRBY together, and not just one at the expense of either of the other two. However, sometimes a few of the posts by other members revealed discrepancies in the stated philosophy of OBJECTIVISTS (followers of AYN RAND), as well as seeming inconsistencies in Steve Ditko's thinking, so I invited other members' views on the topic, hoping for some clarification and interesting and enlightening discussion.
Gary: Who originated Captain Atom?
Steve: Someone at Charlton Press. Don't know exactly who as I just worked out costume, etc.
(In case you were wondering, writer JOE GILL created the character.) Now, if we regard the word 'originated' as a synonym for 'created' (as it's usually used), then it occurs to me that Steve's above-illustrated definition of 'co-creator' status can be viewed as somewhat inconsistent with his earlier statement. Even if we give him the benefit of any doubt and assume that he believed there was a fine distinction between 'originated' and 'created', he surely must've recognized that Stan was using the latter word in a synonymous way with the former. After all, Stan never claimed to have drawn the character or designed the costume, and more often than not went to great pains to give Steve credit and to praise him for his contribution to (and development of) the 'finished article', so Steve surely wasn't so obtuse as to mistake Stan's intention? He must've known in what sense Stan was using the word. And if he didn't see the distinction, then I'd say we're surely justified in wondering whether he missed it in Gary Martin's question too. (Whether Gary intended to make that distinction by his use of the word or was using it synonymously is unknown. To me at least - he probably knew.)
Think about it for a moment. Here, Ditko seems to be downplaying his contribution to Captain Atom, saying that he "just worked out costume, etc." as if it were no big deal. He certainly doesn't appear to be laying claim to co-creator status in the good Captain's case, so why the seemingly opposite view in regard to SPIDER-MAN, where he goes to great effort in reminding us that he designed the costume? Sure, he did more than that, but the idea existed pre-Ditko's involvement.
I think Steve's problem was the same as Jack's, in that they both resented the attention and adulation (to say nothing of the money) that was given to Stan in what they saw as on the back of 'their' efforts. Neither of them ever quite appreciated that Stan's plotting (at least in the early days) and scripting, to say nothing of his leadership and direction - plus the friendly mood that permeated the early Marvel mags' letters and Bullpen Bulletins pages - were all enormously instrumental in their success. It was the way they read, not just the way they looked, that distinguished them from their competition and garnered acclaim and popularity. "Which 'creation' has the highest value, word or image?" someone asked on that other site. In Marvel's case, it was both, but that probably requires further explanation.
Both Steve's and Jack's visual storytelling, before and after Marvel, always looked just as impressive, but their solo efforts never made quite the same impact as their collaborative Marvel work in the '60s. It was their time at Marvel that created their reputations and secured their legendary standing. Why was this? To me, the answer is obvious - Stan Lee! And if it was Stan's input that made the difference, then it's fair to say that his was, arguably, the greater contribution - at least in the effect that it had. His input enhanced the work of Ditko and Kirby, as theirs did his, but his enhanced theirs more. Remember, comics are not just pictures, they're words too, and Stan's words made a powerful impression on Steve and Jack's art. They, however, could never quite see it.
So was Stan intentionally trying to deprive any of his collaborators of their due and deserved status on the odd occasion that he focussed more on his own achievements? I don't think so. In fact, JONATHAN ROSS's TV programme, In SEARCH Of STEVE DITKO, although cited by the anti-Stan brigade as evidence of Stan trying to hog full credit, doesn't necessarily prove their case. It's clear to me (mainly because he said so in JR's documentary) that Stan regarded whoever came up with the original idea as the 'creator' - the 'originator' - and that was Stan. He wasn't denying that Steve's contribution to the finished, published product was instrumental in defining the character as known to the comics-reading public, he was only saying that the original idea was his.
But what about his much later testimony in court when he seemingly claimed sole creatorship and said that he had exaggerated Steve's and Jack's involvement to make them feel included, to feel good? I think we have to remember that, by that time, Stan had endured years of rabid Ditko and Kirby fans (and Jack himself) denying him any creative input at all into any of the many MARVEL characters and was understandably on the defensive. Also, the Kirby family were claiming that Jack had created everything and Stan had created nothing, so he was only responding to the Kirby family 'in kind'. In Spidey's case, I feel that it was quite legitimate for him to emphasize that he'd come up with the original idea - and I believe that's all he really meant when he said that he created Spider-Man - he did! The idea for Spidey - the one which led to the Spidey that we know - came from him.
Remember too that he was by that time a vulnerable, confused old man with a failing memory (not that it was ever good), and doubtless had huge pressure put on him by the Marvel/DISNEY attorneys, who probably prepped him in what to say. A sense of loyalty to the company who'd employed him for most of his life may also have been at the root of him overstating the case. However, don't forget that Jack had done the same thing himself, often claiming that he'd created everything at Marvel (even Spider-Man) and that not only had Stan never created anything, he'd also never written anything. Steve wasn't quite so bold, but he did tend to downplay Stan's input in favour of highlighting his own. And it's easy to see (and understand) why - he felt he'd been robbed of his due credit because Stan got more attention (even though Steve claims he never wanted any), so it looks as if Stan reacted in a similar way when it seemed that he was being denied any credit at all. You can't kick Stan here without also kicking Steve and Jack at the same time if you're going to play the 'blame game'.
Anyway, my most recent efforts to counter the anti-Stan sentiment on that other site led to me being banished from it - without warning and despite some unbiased members 'liking' my latest post. It seems that any viewpoint that runs counter to the 'accepted' one (i.e., that of the site owner and a few cronies) won't be tolerated for very long. I may be the one nicknamed 'Kid', but I've found that it's very often other people who behave like petulant children whenever someone suggests an alternate point of view to their own. Independent thought is frowned upon in those kind of places, which is ironic in this instance as it's apparently something that Steve Ditko encouraged.
In conclusion, I'd like to make it clear that I appreciate Stan, Jack, and Steve, but I refuse to deify any of them or regard them as saints. Just like their creations, the creators also had feet of clay.
Hello Kid,
ReplyDeleteNothing to do with Marvel but if you go to this link:
https://warhorseminiatures.com/category/toy-soldier-preview/
Then scroll down past the 1/32 Austrians, you will find a poster for THE 2018 TEXAS TOY SOLDIER SHOW.
I recognised the artwork the moment I saw it. I wonder what Texans thought of it?
Regards,
Brian
I don't recognise it, T47. Enlighten me, o knowledgeable one.
ReplyDeleteFrom me it's a big yawn on Lee/Ditko/Kirby and who created what. Who cares? I don't.
ReplyDeleteMuch more importantly, Kid - you may recall I recommended Greggs mince pies last year. Did you try any? I've just bought a twin-pack of Mr. Kipling's iced-top mince pies from Tesco but Greggs' are the nicest :)
Alas, there's not much that you DO seem to care about, CJ - apart from your mince pies that is. I think I gave you my verdict on Gregg's mince pies last year when you first mentioned them. Your memory's failing, must be getting old. Yeah, they were okay, but I'm not too fussy about whose name's on a box of mince pies - I love 'em all, greedy b@st@rd that I am!
ReplyDeleteKid, I remember you saying you'd give the Greggs mince pies a go but I don't remember your verdict!
ReplyDeleteI hope you'll be featuring some Jim Reeves festive songs on Crivens this year - it won't feel like Christmas otherwise.
Maybe it's my memory that's failing then, CJ, but I know I meant to give you my verdict and thought I had. I was going to give you all a break from Jim this year, but seeing as how it's by popular demand, rest assured that Jim shall now be making an appearance on this 'ere blog.
ReplyDeleteOops! That should've been Greggs', not Gregg's, in my first response to you, CJ. My bad.
ReplyDeleteI was both surprised and delighted to see this Denis McLoughlin art in use. This is part of the cover art to the BUFFALO BILL WILD WEST ANNUAL probably 1949/50 as these were undated. McLoughlin's bold colour and b/w line work was a backbone of British comics long before Marvel put superheroes onto the psychiatrists couch.
ReplyDeleteI've certainly heard of Denis McLoughlin, but I didn't recognise the art as his. A little before my time and I was never really into Westerns. Has the face been retouched? It looks a bit rough to me.
ReplyDeleteI don't have my copy of the annual with me to compare but bold and bright was the style of his colour pieces.
ReplyDeleteThere were stand alone pages of colour in the annuals showing native Americans which were simply magnificent. For many of us that are 10 years up on you these annuals were a Xmas treat. It was hard not to be a fan of westerns then as the theme was everywhere, especially early TV shows.
This Buffalo Bill and the later SUN comics Billy the Kid more than a little looked like the actor Robert Taylor.
There's just something about the face, especially, the teeth, that doesn't seem right to me. I remember The Illustrated Comics Journal having an article on Denis - I was the assistant editor at the time - must see if I can remember where it is. He was certainly a well-respected artist.
ReplyDeleteFine post. As you know I'M A BIG Kirby fan, so I'm not in agreement with all you say, although I am in total alignment with your last sentence. The division between the camps is a great pity as both Stan and Jack were both top guys, as well as great creators.
ReplyDeleteMany thanks for showing the Ditko illustration. Was this the only time that steve drew Spidey after leaving the feature?
There's another pic he drew in a similar vein, with Captain America, Jack Kirby's version of Spidey (as Steve remembered it), and Steve's version of Spider-Man. The purpose was to show that Jack's SM costume was reminiscent of Cap's, and to show how it differed from Steve's. As far as I'm aware, those two pics are the only time he drew Spider-Man after leaving the strip in the '60s. Before he left Marvel, he drew two un-dialogued Dr. Strange stories which he never turned in, so perhaps they might turn up some day. Glad you liked the post, S64.
ReplyDeleteYou are a fountain of knowledge!!! It would be great to see these Doc stories someday. It would also be amazing if Marvel could put together all the Lee/ Ditko suspense short stories in one volume. Some of these have have never seen the light of day since their first printing. I am also waiting for DC to publish Kirby's True Divorces and his unpublished gangbusters!!!!
ReplyDeleteIf by Gangbusters you mean his 2nd issue of In The Days Of The Mob, it was published in the back of the hardcover reissue a few years back. Also available is Spirit World, which includes the strips meant for issue 2 (but were used in colour mags). Both are well-worth having. I think Marvel have already started printing the stories you speak of. All 15 issues of Amazing Adventures/Amazing Adult Fantasy were published in an Omnibus volume a few years ago, and there were some Masterworks editions of early (pre-Thor) Journey Into Mystery issues. It wouldn't surprise me if Tales To Astonish and Tales Of Suspense (pre-superheroes) have already had a volume or two devoted to them.
ReplyDeleteI've had the conversation many times with many fans. The most obvious is the Ditko and Kirby needed Stan to produce their best work. Whether it was Stan's plotting or editing or even just filling in the word bubbles.
ReplyDeleteAs for Spidey in particular, Ditko did add some elements of his objectivist philosophy but I feel it's overstated. The most interesting part of Stan's run on Spidey, for me, was the relationships he had with his friends and girlfriends . This was entirely Stan. The Ditko part, where he ignores the campus protest was obviously Ditko and Spidey never again acted that way.
as the the other characters they do created ,some obviously bear the marks of the artist more than others.
Ditko, of course, created characters of his own after he left Marvel (as did Kirby), but they were never quite as enjoyable to read as the ones that Stan had been involved with. To me it's as simple as that. Stan made the difference, great artwork notwithstanding.
ReplyDeleteI have also been invited to join a FB Ditko group but am hesitant. While I’m a fan of his work I’m not keen on being subjected to politics and squabbles about Stan Lee. When you find out your favorite artist doesn’t share your beliefs and in fact may be a bit insane brings up the old struggle about separating the work from the artist. Which is a whole other blog post .
ReplyDeleteI've decided that I'm never going to join any other group again, PS. Unless you're prepared to restrict yourself to anaemic utterances saying how wonderful an artist's work is, while suppressing your own viewpoint and never questioning anything you don't quite agree with, you're not made to feel welcome.
ReplyDeleteIn my earlier message I meant Dingbats...I do have the 'In the Days of the Mob' book you mention and consider the previously unpublished Mob 2 included therein on a par artistically with anything else Kirby did.
ReplyDeleteOn a ending note, I have just seen a terrific pic of Stan and jack together in '89, and seemingly enjoying each other's company. I saw the pic on The Marvel Age of Comics tumblr, published yesterday, and was taken from the 'Browse the stacks' blog. The photo really made me smile, in a good way. It's a great way of remembering comicdom's greatest artistic partnership.
Must take a look at that, S64. I'm off over there now to find it. (Did you mean '89 or '69. 'cos there's a photo from the '60s like the one you describe?)
ReplyDeleteNope - '89 sure enough. Hard to believe that only five years later Jack would be gone.
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ReplyDeleteTo paraphrase you just a bit, try this:
"Lee's solo efforts never made quite the same impact as his collaborative work with Kirby & Ditko in the '60s. It was this that created his reputation and secured his legendary standing. Why was this? To me, the answer is obvious - Kirby & Ditko! And if it was their input that made the difference, then it's fair to say that their's was, arguably, the greater contribution - at least in the effect that it had. Their input enhanced the work of Lee, as his did theirs, but theirs enhanced his more."
Especially when one considers Lee's lack of reputation before pairing with Kirby, and Kirby's two decade long status as one of the top men in the business for two decades before Lee.
And the long careers both Kirby & Ditko had after Lee pretty much hung it up in 1971.
To paraphrase me just a bit, and distort the facts by a huge margin I'd say, DL. Nothing that Ditko and Kirby worked on after Marvel had anywhere near the same commercial or critical success that their Marvel work had. That's why when Steve died, his involvement with Spider-Man and Dr. Strange was given emphasis in reports of his death. Jack's New Gods, despite repeated attempts to revive them over the years, have never really lasted, and are only revisited by nostalgic creators who want to play in Kirby's sandbox. Stan was promoted to publisher in the early '70s and simply never had the need (or time) to write again on a regular basis because of his new responsibilities. However, for 5 years after Ditko left Marvel, Stan still scripted Spidey and sales certainly never suffered for Steve's absence. Likewise, Fantastic Four wasn't affected by Kirby jumping ship, so - what was the point you were trying to make again? I'd say the facts demonstrate that you failed.
ReplyDeleteJack's and Steve's Marvel work was a success, their later work wasn't anywhere in the same league, popularity-wise - even though it was still recognizably the work of both men. The difference? Stan Lee.
To conflate continuing an ongoing successful series with launching a new one...particularly in the turbulent marketplace of the early 1970s...is kinda like comparing apples and rebar.
ReplyDeleteIf you claim that together the soared higher than they did apart that's one thing. But unless you can point to out something developed by Lee without the participation of Kirby or Ditko that was more successful than their work without him...I simply don't see you've built any case that Lee made a more vital contribution.
I don't think I've ever claimed that Stan went on to create anything without Kirby and Ditko that matched their collaborative success (though he sustained that success after their departure - no mean feat), but as I said, he was promoted to publisher in the early '70s and his career and the responsibilities thereof took a different path. Of course Kirby and Ditko continued to create characters and strips after Marvel - that was the means by which they earned their livelihood - they HAD to keep creating in order to continue earning. However, nothing they created after Marvel ever achieved the success or popularity of the work they did with Stan. It's a simple matter of logic to conclude that Stan was the magic ingredient when it came to their collaborations.
ReplyDeleteSure, with the Marvel strips, Stan needed the coal that Kirby and Ditko provided so that he could polish it into diamonds, but my whole point is that it was Stan who made Jack's and Steve's Marvel strips shine. Without Stan, all you had were competently told tales that lacked the soul that Stan's scripting provided, whereas Stan's scripting continued to be just as enjoyable after Ditko's and Kirby's departure. Then you have to take account that it was Stan who was the leader, the commissioning editor, the man who led the way. Or are we really to assume that he was a commissioning editor who never commissioned anything? You only need to compare an issue of FF to New Gods to see what a dry read Kirby was by himself, good ideas and dynamic drawing not withstanding. And just about anything that Steve wrote without someone else doing the scripting was a tedious sermon based on an inconsistently stated philosophy. The facts are screamingly obvious - if you can't see it, it's because you don't want to.
That's 1 - 0 to notthemayor
ReplyDeleteStan did a bit of polishing, but that's about it.
He more or less admitted that without Kirby he was finished as a writer
Well, it's pretty obvious that 'The Watcher' is your alias, 'notthemajor', and that you're trying to support your own view. Stan, early on in his collaboration with Jack, said that Jack was practically as much the writer as he was on the strips, which is quite different to what you're claiming. Stan may never again have reached the heights he did with Jack and Steve (though even that's debatable, as both FF and Spidey sold more after their departure), but neither did Jack and Steve ever produce anything that was as successful as the work they did with Stan. That suggests that Stan's contribution was the vital factor in their collaborations that elevated them beyond what Jack and Steve's efforts on their own achieved. So, Kid 10, The Watcher and notthemajor 0.
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