Tuesday, 13 December 2011

WHAM! AT CHRISTMAS - THE COMIC, NOT THE BOYBAND...

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WHAM! comic was meant to be ODHAMS PRESS and LEO BAXENDALE's answer to The BEANO.  Unfortunately, they must have misheard the question, because the former only lasted about 3 and a half years, whereas the latter is still going strong (relatively speaking) over 70 years later.  One can't help but wonder if Wham! would have survived for longer had it been printed on cheaper paper and similarly priced to The Beano.

I guess we'll never know, alas, but in its day it was a very fine comic indeed - and though I didn't start buying it 'til it had discarded its photogravure printing, I now have quite a few of those early issues in my collection.  One such is the Christmas number above from 1965 (it was a very good year), and I thought I'd share it with all you lucky peeps out there in Blogger land.


One of the most (if not the most) popular strips in Wham! was one created not by Leo Baxendale, surprisingly, but by KEN REID, the original artist of ROGER The DODGER in the aforementioned Beano.  The strip in question was FRANKIE STEIN, who was so popular that he survived Wham!'s demise in early 1968, being resurrected in SHIVER & SHAKE and MONSTER FUN COMIC in the early and mid-'70s.  He also starred in his own series of  eight Holiday Specials and two softcover Annuals.

ROBERT NIXON did most of the art chores in Frankie's later incarnation, but to those of us who were familiar with Reid's earlier treatment of the character - good as it was to see ol' Frankie back - the new strips never quite matched the absurd shenanigans of the originals.  So, presented above, for your reading pleasure, the Frankie Stein strip from the 1965 Christmas edition of the late, lamented Wham!  They sure don't make comics like that anymore (unfortunately).

HAVING A SMASH-ING CHRISTMAS...


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When SMASH! was revamped and relaunched by IPC in March of 1969, it bore very little resemblance to its previous ODHAMS incarnation.  A few strips survived, but, without the various MARVEL reprints, the comic had lost a great deal of its uniqueness.  (Well, as unique as a companion paper to WHAM! could be.)  Which is not to suggest by any means that the newer version of the comic was bereft of charm, but it was a different type of charm to what had gone before.  Above is the cover to the first Christmas issue of the new Smash!, which, contrary to what I've just written, manages to conjure up similarities to the earlier look of the title - only the different logo betrays the cheat.


Above (from the Christmas ish) is BAD PENNY by LEO BAXENDALE, which I always preferred to his similarly-themed strip, MINNIE The MINX in The BEANO.  Minnie came first, but Bax's art had evolved into a seemingly simpler, but much more madcap and funnier style by the time he got 'round to drawing Penny. Give me Penny over Minnie any day of the week.  Bax created some good strips for Wham! & Smash! - but it's interesting to note that he never initiated legal proceedings against IPC over copyright like he did with Thomson's.  It's true that the Odhams/IPC/Fleetway characters never had the longevity or success of his DCT ones, but surely the principle of the matter supersedes any material considerations?