It was at that point I realized that this teacher had nothing to teach me. Here was I, eager to ascend to a higher plateau of artistic accomplishment, only to be hindered by someone who was content to keep me at the level from which I was trying to advance.
Fortunately, however, not all art teachers were like that - which now brings us rather neatly to the Mr. BOB BELL mentioned in the title of this rather nostalgic - if self-indulgent - "little" piece. (Feel free to marvel at the skill with which I cleverly contrived to craft the consequent comparison.)
Mr. Bell was a different box of spiders altogether; cheery, rotund, enthusiastic and friendly - not unlike one of those jolly uncle figures in a RICHMAL CROMPTON 'WILLIAM' book. What's more, Mr. Bell thought I was a 14 year-old artistic genius - which elicited no protest from me as, quite frankly, I was of the same opinion. (Much like BENJAMIN DISRAELI, who once said, "My idea of an agreeable person is a person who agrees with me.") Mr. Bell had arrived at his elevated evaluation of my artistic abilities after watching me draw a figure of a musclebound superhero in class on one occasion, prompting him to pronounce my picture as "anatomically perfect".
Ah, but there's more. It had long been Mr. Bell's ambition to draw for comics, and he'd even once submitted some samples of his sequential artwork to D.C. THOMSON in an attempt to find favour and approval. Sadly, it wasn't to be and he was met with polite rejection (if such a thing is possible). He brought the pages in to school to show the class (or perhaps just show me, because I was also a comics geek) and he could certainly draw, so it wasn't a lack of ability which had led to DCT declining his services. More likely was the fact that the influence of DUDLEY D. WATKINS - and other artists - was too pronounced (perhaps giving editors the impression that he was a mere 'copyist'), rather than because his pages weren't any good.
One day he brought in a box containing a pile of comics, including quite a few British editions of MAD magazine. He kindly let me take one home with me to read at my leisure, and - when I evinced my liking for said magazine - even more kindly said I could keep it. Wotta guy! The magazine in question was the one illustrating the top of this very post, and contained a witty parody - drawn by the superb MORT DRUCKER - of the BATMAN television show from 1966.
He was also a great admirer of the GERRY ANDERSON programmes - and I remember him once telling me that, whenever he saw art director BOB BELL's name in the closing credits, he always felt a pang of disappointment that it wasn't him. What a difference to his staid, stuffy, and static "arty-farty" colleagues, whom he effortlessly outclassed and outshone.
About six or seven years after leaving school, I ran into another (former) art teacher from the same period, who - when I enquired after Mr. Bell - informed me that he'd died two or three years before. Although it's been about 30 years since I learned this, I still sometimes find myself hoping that he was mistaken and that Mr. Bell is still very much alive somewhere, drawing comic strips to his heart's content.
Sadly, I never got to tell him just how much I enjoyed being in his class, or how much I appreciated his lavish praise, encouragement, and enthusiasm - but, whenever I look at that terrific NORMAN MINGO illustration adorning that particular cover of MAD, I can't help but think of DUNCANRIG's very own Mr. BOB BELL. He was just what a teacher should be.
Here's to you, Mr. Bell (or can I call you Bob?) - wherever you are. You made a difference.